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Early Music History

Early Music History

Early Music History

Studies in Medieval and Early Modern Music
Volume 27:
Editor:
Iain Fenlon, University of Cambridge
Benjamin Brand, John Haines, Patricia Dewitt, Alexis Luko, Catherine Saucier, Katelijne Schiltz, Natascha Veldhorst
Published:
June 2009
Volume:
27
Availability:
Available
Format:
Hardback
ISBN:
9780521760034

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$215.00
USD
Hardback

    Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in Volume 27 include: John Hothby and the cult of St Regulus at Lucca, Johannes de Grocheio and Aristotelian natural philosophy, Tinctoris on varietas, Acclaiming Advent and adventus in Johannes Brassart's motet for Frederick III, Pharmacy for the body and soul: Dutch songbooks in the seventeenth century and Gioseffo Zarlino and the Miserere tradition: a Ferrarese connection?

    Product details

    June 2009
    Hardback
    9780521760034
    300 pages
    234 × 155 × 18 mm
    0.6kg
    Available

    Table of Contents

    • 1. John Hothby and the cult of St Regulus at Lucca Benjamin Brand
    • 2. Johannes de Grocheio and Aristotelian natural philosophy John Haines and Patricia Dewitt
    • 3. Tinctoris on varietas Alexis Luko
    • 4. Acclaiming Advent and adventus in Johannes Brassart's motet for Frederick III Catherine Saucier
    • 5. Gioseffo Zarlino and the Miserere tradition: a Ferrarese connection? Katelijne Schiltz
    • 6. Pharmacy for the body and soul: Dutch songbooks in the seventeenth century Natascha Veldhorst.
      Contributors
    • Benjamin Brand, John Haines, Patricia Dewitt, Alexis Luko, Catherine Saucier, Katelijne Schiltz, Natascha Veldhorst

    • Editor
    • Iain Fenlon , University of Cambridge