The Cambridge Companion to Women Composers
The Cambridge Companion to Women Composers
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Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.
- Highlights the variety of ways in which women's composing took place in differing regions, contexts, periods of history and individual circumstances
- Ranging beyond the West and its elite 'classical' genres and styles, topics include women's contributions to electronic music and performance art
- Offering perspectives freed from older concepts of 'great composers' and the male genius, and looking beyond the few best-known women, the book enables a wider understanding of how composers have functioned in history
Product details
May 2024Adobe eBook Reader
9781108787949
0 pages
This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
- List of figures
- List of music examples
- Notes on contributors
- Acknowledgements
- List of abbreviations
- Prologue: studies in women composers – the first fifty years Matthew Head and Susan Wollenberg
- Part I. Themes in Studying Women Composers:
- 1. Historical women composers and the transience of female musical fame Paula Higgins
- 2. In search of a feminist analysis Susan Wollenberg
- 3. Composing women's history: beyond suppression and separate spheres Matthew Head
- 4. Progress and professionalism Sophie Fuller
- 5. Women composers and feminism Leah Broad
- Part II. Highlighting Women Composers Before 1750:
- 6. Medieval women in composition and musical production Margot Fassler
- 7. Sixteenth-century women composers, beyond borders Laurie Stras
- 8. Women and composition, c. 1600–1750 Rebecca Cypess
- Part III. Women Composers c. 1750–1880: Forms of Musical Culture:
- 9. Did women have a classical style? Matthew Head and Susan Wollenberg
- 10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers
- 11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak
- Part IV. Women Composers c. 1880–2000: New Waves:
- 12. First-wave feminism and professional status Sophie Fuller
- 13. Women composers, experimentalism and technology, 1945–1980 Louise Gray
- 14. Vibrations: women in sound art, 1980–2000 Gascia Ouzounian
- Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson
- Bibliography
- Index.
